Masterpiece or copy? Videoregistration of an exhibition-Anthonie van Dijck

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Light sensitivity?
85
01:25

Light sensitivity?

To prepare the exhibition, several tests have been executed to examine the possible harm caused by projections onto the painting surface.
The light from the beamers, projected from a considerable distance, turned out to remain under the maximum of 200 lux. Apart from this, the lightning in a presentation like this is not continuous. The paintings were in fact exposed to light less that under general museum conditions, when paintings are enlightened continuously.
Expert meeting
373
06:13

Expert meeting

In this video fragment two restorers are moving one of the paintings to the storage rooms. The video was shot in February 2009, when the two paintings were brought to the restoration studio of the Nationalmuseum in Stockholm. For the first time the two paintings were brought together. A small team of international experts came together to make a comparison. Here you can see a video diary of this special meeting.
Publication
458
07:38

Publication

Over het onderzoek naar de twee schilderijen verscheen een publicatie in de reeks ‘Boijmans Studies’.
Friso Lammertse, Carina Fryklund, Annetje Boersma with contributions by Annelies van Loon and Lena Dahlen, ‘Masterpiece or Copy? Two Versions of Anthony van Dyck’s St.Jerome with an Angel’. It is available from the museum shop of Museum Boijmans Van Beuningen: €16,50 ISBN 978-90-6918-242-1

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Masterpiece or copy? Videoregistration of an exhibition-Anthonie van Dijck

Museum Boijmans Van Beuningen presented the exhibition ‘Masterpiece or Copy - Anthonie van Dijck’ from 5 December 2009 until 14 February 2010. The exhibition presented two paintings with an identical composition depicting Saint Jerome with an angel. Images and animations were projected directly onto the painting surfaces and onto the wall in between. A voice-over could be heard, explaining the art historical research of the paintings.
This multimedia presentation has been documented in a video, so that the story of the two identical Van Dijck’s can still be told.